Credits Secret Life

Woman Helga Wretman

Cinematography by Carlos Vasquez

Produced by Anamarie Michnevich
Production Design: Daniele Fermani
Art Department: Michelle Letelier
Set Construction: Thomas Maurer
                                  Charles Green

Post-Production
Director Visual Effects: Carlos Vasquez
Additional Cinematography: Daniele Fermani
Music: Hannes Strobl

Film to Video Transfer: Philipp Orgassa at
    

                               
Special Thanks to
Saskia Draxler
Hermann Nöring
Gabriel Soucheyre
Lies Declerck
Friederike Oberlin
Stuart Isto

For Jane Williams

Produced in cooperation with
European Media Art Festival
49074 Osnabrück / Germany
Videoformes
63002 Clermont Ferrand, Cedex 1 / France
Contour
B.2800 Mechelen / Belgium
COMA Gallery
D - 10117 Berlin

 
   
 


Secret Life
Two channel video projection, transferred from 16mm and stills, 5min.
Germany, 2008

Secret Life
is the first from a three-part cycle exploring the imperceptible conditions that frame life. It portrays a woman trapped in an apartment with a life of its own, but transcending the narrative horizons of human desire, the film visits upon us a glimpse of a shared and sacred reality. Secret Life is a two-screen installation that defies the ultimate metaphysical taboos of temporality by combining novel technique with intrepid philosophical vision; and daring to present that which is seldom, if ever, portrayed in any artistic medium, impossibilities are made possible through Reynolds’ signature aesthetic, a lens that can fill one with reverence for the mundane. Have you ever wondered what time sees, experiences? Without mortal assumptions about time, the occupant of the apartment is no longer limited even to unique location, but here, seen through the eye of time, space itself is now become alive, active, animated, animas.
Without the context of space and time, the woman's mind collapses and neglects the organization of her experience, leaving her only with sensations. The viewer may ask: Is it her mind or is it time itself that creates the uncontrolled and uncontrollable environment?
Reynolds suggests that all living things are endowed with consciousness, meaning all living things have awareness, possibly even self-awareness (with the possible exception of the film’s human protagonist). While the space increases in its activity, the woman becomes an ever more passive element in her world. She goes through the rooms only observing the direction of her life oblivious to where time is taking her. She moves at a mechanical speed and her mind is like a clock whose hands pin the events of her life to the tapestry of time, all the while, the truth is transcendentally reflected in the mechanical eye of the camera. Her thoughts escape her and come to life, growing like the plants that inhabit the space around her: living, searching, feeling, breathing and dying.

Award
“Secret Life” won the 2008 EMAF Festival Award at the European Media Art Festival Osnabrueck, Germany.
Exhibitions
As Soon As Possible” Centro di Cultura Contemporanea Strozzina (CCCS) Florence Italy May – August 2010
Akademie der Künste Berlin Germany April 21- June 20 2010 “Unwetter”, curated by Alfons Hug
“Best of Loop” MOCA Pacific Design Center, West Hollywood, CA. Dec 2009- Feb 2010